The Applied Microphone Technology WI511C is a highly versatile microphone known for its outstandingly good quality audio output, designed and built to last. The WI511C has especially been created for use with wireless systems. The instrument is highly valued and used in many live performances, recording studios, and sound amplification for acoustical interference conditions. The following sections will give you an in-depth analysis of the WI511C, with detailed observations of the technical specifications, features, pros, and cons. We shall explore industry statistics, user experience, and FAQs on this powerful mic.
Key Takeaways:
- The Applied Microphone Technology WI511C offers professional-grade audio performance suitable for musicians, performers, and audio engineers.
- It features a cardioid polar pattern, providing noise isolation and focused sound capture.
- It is compatible with wireless systems, ideal for live performances and reducing physical cable interference.
- The WI511C is a highly durable and reliable option, particularly for brass and woodwind instruments.
What is the Applied Microphone Technology WI511C?
Applied Microphone Technology WI511C is a wireless, professional-grade condenser microphone for instruments, particularly woodwinds and brass. This microphone operates with a miniature cardioid pattern to focus on the isolation of the primary sound source and the rejection of background noise. The WI511C, for its excellent sound quality and easy performance in live as well as studio work, has been preferred by many professional musicians.
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Important Features of the WI511C
- Some of the applied features that distinguish the Applied Microphone Technology WI511C in the same class and position as other microphones are:
Cardioid Polar Pattern
- A cardioid polar pattern has made the microphone focus and collect sound from one specific direction. This helps to increase the reduction of background noise thus appropriate for performances or environments with several instruments, levels of noise, or output.
Wireless Compatibility
- Because the WI511C is designed to be seamlessly integrated with both the wireless systems and the musicians and artists, especially those in massive venues or live stages, mobility is improved.
Build Toughness
- The microphone is for the demanding use of performance in the case of professional performances and outdoor gigs. Because it has a rugged build, it is built to last despite its recurrent use.
High-Sensitivity Capsule
- It is designed with a high-sensitivity condenser capsule and is, therefore, very effective at capturing subtle details of the sound.
Compact Design
- The WI511C is light and compact, which makes it easier to mount on instruments without affecting their playability or adding unnecessary weight.
Technical Specifications
Applied Microphone Technology WI511C has technical specifications that make a big underlining of its superior quality:
Specification | Detail |
---|---|
Frequency Response | 20 Hz – 20 kHz |
Polar Pattern | Cardioid |
Sensitivity | -65 dB ± 3 dB |
Max SPL | 135 dB |
Power Supply | 9-52V phantom power or battery |
Connector | Mini-XLR |
Weight | 0.42 oz (12 g) |
Application | Woodwinds, Brass, Percussion |
The microphone possesses a wide frequency response of 20 Hz to 20 kHz, thus easily accommodating different instruments. Its top SPL rating of 135 dB ensures that it can handle even noisy surroundings without producing any distortion, particularly brass instruments.
Comparison of the WI511C with Other Microphones
Compared to other similar microphones at the same cost and performance level, WI511C shows a relatively compact size with outstanding quality of sound reproduction.
Microphone Model | Polar Pattern | Max SPL | Weight | Special Feature |
---|---|---|---|---|
Applied Microphone Tech WI511C | Cardioid | 135 dB | 12 g | Wireless compatibility |
Shure Beta 98H/C | Cardioid | 140 dB | 65 g | Integrated horn mount |
AKG C519 | Cardioid | 130 dB | 40 g | Clip-on instrument mount |
Audio-Technica PRO 35 | Cardioid | 132 dB | 29 g | Flexible gooseneck mount |
Lightweight design- only 12 grams: WI511C ranks among the lightest wind microphones available for live events, very much valid as wind instruments require flexibility in their movement
Applications of WI511C
The WI511C has been specifically created for woodwind and brass instruments, but its performance is applicable in the following use cases:
Brass and Woodwind Instruments
WI511C captures both soft and loud sounds so it is very ideal for the saxophone, trumpets, and flutes. It isolates the sound with minimal background noise.
Percussion
The small size and handling of SPL make the microphone ideal for picking the deep tones of percussion instruments, especially during live performances.
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Live Performances
The WI511C is preferred in live performances because it is wireless. During a live performance, a performer must run around, and thus WI511C is ideal to provide the luxury of movement without bothering by cords and cables.
Studio Recording
WI511C, in the studio, has fidelity and does record the sound accurately, hence ideally preferred to make professional audio recordings.
Frequently Asked Questions About WI511C
What instruments is WI511C most appropriate for?
WI511C best fits instruments that are based on woodwind and brass such as saxophone, trumpets, and flutes since it has a cardioid polar pattern and sensitivity.
Is the WI511C compatible with all wireless systems?
Indeed, the WI511C supports a wide range of wireless systems, so it is easily operable with numerous live shows.
How robust is the WI511C?
The microphone is designed with durability and structure, thus ensuring. It’s robust enough for use in live performances and professionally.
Is the WI511C designed to be used in circumstances that involve high sound pressure levels?
Yes, the WI511C is designed to handle up to 135 dB SPL. Thus permitting the accommodation of loud environments and powerful instruments, such as a trumpet.
Studio Use?
The WI511C is suitable for studio use due to its clear and accurate sound performance.
Does the WI511C require phantom power?
Phantom power is 9-52V which the microphone runs on, which is drawn from professional audio systems or a battery.
- Advantages of Using the Applied Microphone Technology WI511C
- Here are some of the main reasons to use the Applied Microphone Technology WI511C:
- High Sound Quality Reproduction: This cardioid polar pattern will pick focused sound while not allowing background noise.
- It is also suitable for users: who want to use it with wireless systems since it allows moving about during live performances.
- The build of the microphone is rugged: to withstand harsh conditions, ensuring usage for many years.
- It’s lightweight; the design is suitable for mounting on instruments without limiting performance.
- Flexibility: It can be used in any live performance and can be used in the studio. Hence turning out to be a flexible choice for professionals.
The Relevance of Cardioid Polar Patterns
In case of the microphones, sound isolation is inevitable with the use of cardioid polar patterns. In multiple sound source environments, cardioid polar patterns turn out to be very essential to capture. The sound is from one side and rejects all the other sounds from both sides and the rear to create a focused sound recording.
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This ensures that the microphone picks up the desired sound majorly from the desired instrument or voice. Interference from other instruments or even background noise is kept at a minimum in a live concert or studio setting.
Conclusion
The Applied Microphone Technology WI511C is a microphone that has gained much recognition for its crisp sound, wireless capabilities, and ruggedness. It has become widely utilized in live performances and studio recordings on woodwind and brass instruments. Reliability and clear capture of professional-level audio is guaranteed from the use of this product. Its lightweight and compact design makes it ideal for musicians who require mobility while carrying with them the option of sound isolation. Overall, the WI511C stands as an exceptional tool for both the performers and the sound engineers.